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Bloodlines – Extract

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Chapter One

Down, down below, down under the flyovers and the transit arches, down to where the lumens floated on wheezing suspensors and the windows were steamed with condensation. People packed in on all sides, some high on topaz, some exhausted, all smelling of euphoria.

She breathed it in. She let her fingers graze along the rockcrete of the close wall, feeling its coldness against the wet heat of the night. She looked up, and saw the smear-glow of private club entrances, vivid in neon. She heard the rumble of turbine traffic overhead, and the hiss of groundcars on damp asphalt.

She’d taken it. Topaz. It was as good as she’d hoped – she was giddy, enjoying the freedom. Every face she looked at was one of a friend, smiling back at her, rouged, whitened, darkened, flared with photoreactive pigments, glittering with augmetic baubles. Music thumped away, spilling from the open doorways of the sanctioned haze dens, threatening to drag her in, smother her in the heat and the noise.

She could have walked along that street forever, just drinking it in. She liked the smells, overlapping one another, competing like jostling suitors for her attention. She stuck her hands in the pockets of her overcoat, pushed her shoulders back, slipped through the crowds.

She didn’t know what time it was. The deep of the night, for sure, a few hours before dawn. It didn’t matter. Not any more. That was the point of freedom – make your decisions, stupid ones, good ones, get out, do your own thing.

A man lurched into her way, grinning and drunk. He shoved up against her, and she smelled his breath.

‘Hello, young fish,’ he slurred at her, swaying. ‘Come to swim with me?’

He had plastek-looking hair, too clean, too sculpted. She kept on going, sliding past him, out into the middle of the street. The press of people swept him away, giving her more faces to gawp at. Fireworks went off in the sky, dazzling, smelling of chems, picking out high arches overhead engraved with skull-clusters and fleur-de-lys finials. Commercia chameleon-screens flashed and whirled, spinning pixelated images one after the other – a woman smiling, a man gazing at an altar, a Navy drop-ship wheeling across a starfield, troops in uniform marching under a crimson sky on another world.

For the first time, she felt a spike of danger. She had walked a long way, away from the friends she had come with. She had almost forgotten about them entirely, and had very little idea where she was.

She looked back and saw the plastek-hair man following her. He was with others, and they had latched on to her.

Damn.

She picked up the pace, skipping on her heels, darting to the street’s edge, to where the grand avenue, scarred with twin steel ground-tracks, met another one, cobbled and glinting, that ran steeply downwards.

If she hadn’t taken topaz, she’d have stayed, by instinct, with the crowds, where the press of bodies provided its mute kind of safety. But it got darker quickly, and the lumens faded to red, and the old cobblestones underfoot got slippery. The beat of the music felt harder – dull, like the military dirges they transmitted every evening over the communal prop-sets.

Down, down, down.

She felt a bit sick. She shot a glance back and saw that they were still coming, only jogging now, four of them, all drunk on jeneza or rezi or slatov. They all had those sharp, fake haircuts, smart dress, clean boots. Defence-corps trainees, maybe – officer-class, full of entitlement, untouchable. She’d come across the type so many times before. Hadn’t expected to find them down here – perhaps they liked to slum it from time to time as well, to skirt against the grime for fun, see whether it stuck to their uniforms.

Just as she began to worry, someone grabbed her by the arm. She pulled back, only to see a girl smiling at her, a girl her age, pale emerald skin, orange hair, a metal serpent-head stud in her cheek.

‘Come on,’ the girl said, her irises glittering. ‘I saw them too.’

She followed her. She went down a narrow passageway between two big hab-blocks built of dark, crumbling prefab slabs. It soon smelled of urine and old sweat, of drains and discarded carb-bars. As she wound further down the alley, the noise of the men’s footfalls, their laughter, faded. Perhaps they’d gone straight on past. Perhaps they’d never really been that close.

It got hotter. She felt the boom of the music well up from under her, around her, as if the walls themselves were vox-emitters. She needed a drink. For some reason she was very thirsty.

The girl brought her to a door – a heavyset door in a blockwork wall, one with a slide panel in the centre. She activated a summon-chime, and the slide opened, throwing out greenish light from within.

‘Elev in?’ the girl asked.

‘He is,’ came a man’s voice.

The door clunked open. Warm air billowed out, and music came after it, heavy, thumping music. She felt it move through her body, make her want to get going, to get back to that place she’d managed to reach a while back, where everything was forgotten save for the movement, the heat, the heartbeat of escape.

The girl pushed her inside. They were at the head of a long flight of plastek-topped stairs. The walls were bare cinder blocks, the floor sticky with spilled drinks. It was hard to hear anything at all over the music, which seemed to be coming from everywhere at once.

‘Down,’ said the girl, smiling at her again, encouragingly.

They went together. Soon they were in a bigger chamber, one full of bodies moving, throwing shadows against lumen-scatter walls. What had this place once been? An assembly chamber? A chapel, even? Not now. The light was lurid, vivid, pulsing in time to the heavy smack of the music. She smelled sweat fighting with commercial fragrances. She smelled the acrid tang of rezi. There was a high stage with murals half-hidden in a haze of coloured smoke, men and women dancing on platforms surrounded by kaleidoscopic lumen flares. The floor was jammed, crushed with damp bodies in motion. It was hard to breathe.

‘Just keep moving,’ said the girl, taking her by the hand.

They somehow threaded through the crowds. A drink was passed to her and she took it. That made her feel better. She started to look for the source of the music. Faces swelled up out of the dark, flustered and glowing, all grinning at her. They were nice, those faces, and interesting, with their slim metal exo-frames and their holo-halos that waved and flashed like prisms. Where had they all come from? Did they work in the manufactories she had heard about, during the drab day? Or were they all the sons and daughters of the gilded, writhing down here until they collapsed into narc-induced sleep? They were like exotic beasts, feathered, horned, wrapped in silks and sequins, coming in and out of the flickering shadows, fragments of strange bedtime stories, moving in unison under old gothic arches.

She danced for a while. The girl seemed to have gone, but that was fine. She thought back to the past, to the rules that had kept her in her chamber every hour, all the hours, at her studies, learning the catechisms and the rotes, and wanted to scream out loud for the joy of being free of it. Her limbs moved, clumsily, because she had never been able to do this before, but she learned fast, and the topaz made it easier.

They pressed around her, the others – reaching out for her hair, her arms. She lost track of time. More drinks appeared, and she took them again.

And then, much later, the girl came back. She led her from the chamber of lights and heat, and down some more narrow, slippery stairs. That was a relief, for she was getting tired. It would be good to rest, just for a moment. Away from the music, it was cooler, and she felt the sweat patches on her shirt stick to her skin.

‘Where are we going?’ she asked, and was surprised to hear how the words slurred.

‘Time out,’ said the girl. ‘I think you need it.’

It was hard to follow where they went. Some stairs went down, some went up. At one point she thought they’d gone outside, and then in again, but she was getting very tired and her head had started to hurt.

‘Do you have any water?’ she asked.

‘That’s where we’re going,’ came the reply. ‘To get some.’

And then they were through another heavy door. She had the impression of more people around her, though it was very dark, and increasingly cold. They went down yet more stairs, a well so tight that it scraped against her bare arms, even though she wanted to stop now, just sit on the floor, clear her head.

Eventually they ended up in a narrow, empty room with bright overhead lumens that hurt her eyes. She really wanted a drink.

A man was there, one with sallow skin, a tight black bodysuit and collarless shirt, a knotwork tattoo just visible at the base of his neck.

‘What’s your name?’ he asked, pleasantly enough.

‘Ianne,’ she replied.

‘Ianne. That’s unusual. I like it. Are you having a good time?’

‘I could use a drink.’

‘Fine. Come with me, then. We’ll get you something.’

By then, the girl seemed to have gone. She felt hands on her arms, and she was heading down again. The lumens were turned down low, and she struggled to make anything out.

She had the vague sense of being surrounded by people again. She heard a noise like breathing, in and out. She shook her head to clear it, and saw metal shelves, many of them, all with glass canisters on them. She saw tubes, and she saw machines that had bellows and ampoules and loops of cabling. She saw the padded couches, in rows, running back into the dark, and it looked like people were sitting on them.

She felt a lurch of worry. There was no music. It was quiet, and cold, and she didn’t know the way back out.

‘Where am I?’ she asked.

They found a chair for her. It was a recliner, but it was hard and uncomfortable. She thought she should struggle then, but it became hard to think about anything clearly. She felt something wrap around her wrists.

‘Where am I?’ she asked again, more urgently, suddenly thinking of all those catechisms, and the rules, and home, and its certainties.

A face loomed up out of the shadows. She didn’t recognise this one. It was a hard face, with hollow cheeks, and the smile it gave her made her feel suddenly panicky.

‘You’re Ianne? Just relax. You’re in the right place.’

She tried to kick out, but something had tied her ankles down. She looked up, and saw a collection of needles hanging over her, glinting in the cold light. Fear welled up fast, as if she would drown in it.

‘Get me out.’

‘Don’t worry about a thing,’ said the man soothingly, reaching up for one of the needles. It was connected to a slender tube, which looped down from a bag of clear fluid. ‘It’ll all be fine.’

‘I want to get out!’ she cried, starting to struggle.

‘Why would you want that?’ the man asked, tapping the needle and preparing to insert it. He looked up and down the rows on either side of her. Her eyes had adjusted. She could see that the other couches were all occupied. No one lying on them was moving. ‘You’ll do so much good here.’

He set one of the machines running. The device beside her started to whirr, with a thud-tick-thud that sounded like some monstrous heartbeat.

‘Wh– what are you doing?’ she asked, her throat choking up with a thick sense of horror.

‘Just relax,’ he said, reaching over her. ‘I say the same thing every time. This is a place of dreams. So I’m going to give you something now. Something good. And after that – believe me when I say this – you’re going to live forever.’

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Warhammer crime
A Black Library Imprint

First published in Great Britain in 2020.
This eBook edition published in 2020 by Black Library, Games Workshop Ltd, Willow Road, Nottingham, NG7 2WS, UK.

Produced by Games Workshop in Nottingham.
Cover illustration by Amir Zand.

Bloodlines © Copyright Games Workshop Limited 2020. Bloodlines, Warhammer Crime, GW, Games Workshop, Black Library, Warhammer, Space Marine, 40K, Warhammer 40,000, the ‘Aquila’ Double-headed Eagle logo, and all associated logos, illustrations, images, names, creatures, races, vehicles, locations, weapons, characters, and the distinctive likenesses thereof, are either ® or TM, and/or © Games Workshop Limited, variably registered around the world.
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ISBN: 978-1-78999-368-4

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